The Real Story Of John Smith
The Real Story Of John Smith & The New World
The New World is a 2005 movie directed by Terrence Malick and starring Colin Farrell. A historical adventure set during the founding of the Jamestown, Virginia settlement and inspired by the historical figures Captain John Smith (Colin Farrell) and Pocahontas, the script was also written by Malick and is his fourth feature film. The cast includes Christopher Plummer, Christian Bale, August Schellenberg, Wes Studi, David Thewlis, Yorick van Wageningen and newcomer Q'Orianka Kilcher as Pocahontas. The production team includes director of photography Emmanuel Lubezki (Y Tu Mama Tambien, Sleepy Hollow), production designer Jack Fisk (Mulholland Drive, The Thin Red Line), costume designer Jacqueline West (Quills, Rising Sun) and film editor Richard Chew (Star Wars, Shanghai Noon).
THE REAL CAPTAIN JOHN SMITH
John Smith (1580-1631) was an English soldier and sailor, now chiefly remembered for his role in establishing the first permanent English settlement in North America, and his brief association with the Native American princess Pocahontas.
Smith was born in Alford, Lincolnshire. He led an interesting life, although his boastful nature makes it difficult for historians to separate fact from fiction.
Smith left home at age 16 after his father died, and ran off to sea. He served as a mercenary in the army of King Henry IV of France against the Spaniards and later fought against the Ottoman Empire. Smith was promoted to captain while fighting in Hungary, for the Habsburgs, in the campaign of Mihai Viteazul in 1600-1601. After the death of Mihai Viteazul, he fought for Radu Serban in Wallachia against Ieremia Movila, but in 1602 he was wounded, captured and sold as a slave. Smith claimed the Turk sent him as a gift to his sweetheart, who fell in love with Smith and inadvertently helped him escape.
Smith then traveled through Europe and Northern Africa, returning to England in 1604. There he became involved with plans to colonize Virginia for profit by the Virginia Company, which had been granted a charter from King James I of England. The expedition set sail in three small ships on December 20, 1606. On May 13, 1607 the settlers landed at Jamestown.
Harsh weather, lack of water and attacks from Algonquian Indians almost destroyed the colony, and in December 1607, Smith was captured and taken to meet the local chief, Powhatan. Although he feared for his life, Smith was eventually released without harm and later attributed this in part to the chief's daughter, Pocahontas, who was around the age of 11 to 13 at the time. He said she threw herself on him to prevent his execution, but there is considerable uncertainty about this story.
Later, Smith left Jamestown to explore the Chesapeake Bay region and search for badly needed food. He was eventually elected president of the local council in September 1608 and instituted a policy of discipline, encouraging farming with a famous admonishment: "He who does not work, will not eat." The settlement grew under his leadership, but Smith was seriously injured by a gunpowder burn and had to return to England for treatment in October 1609, never to return to Virginia.
In 1614 he returned to the New World in a voyage to the Maine and Massachusetts Bay areas, which he named New England. He spent the rest of his life writing books until his death in 1631 at age 51.
THE REAL POCAHONTAS
Pocahontas (c.1595 – March 21, 1617) was an Algonquian Indian whose life has formed the basis of highly romanticized legends. Her real name was Matoaka: 'Pocahontas' was actually a childhood nickname referring to her frolicsome nature (her name means "little wanton" or "playful frolicsome girl" in Powhatan). She was the daughter of Powhatan, a Native American chief who controlled almost all of tidewater Virginia (called Tenakomakah at the time). Because Pocahontas never learned to write, everything now known about her was transmitted to later generations by others; and the thoughts, feelings, and motives of the historical Pocahontas remain largely unknown. Her story has thus become a perfect breeding-ground for romantic hyperbole, in the centuries following her death
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